傳藝作媒 戲曲新苗入團實習

傳藝作媒 戲曲新苗入團實習 – 中時電子報

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傳藝作媒 戲曲新苗入團實習

2015年06月09日 04:10

中國時報
汪宜儒/台北報導

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2/10

傳藝中心媒合戲曲新苗與職業劇團,架接戲曲科班畢業生進入職業生涯的第一哩路。圖為8日記者會上,學生們奉茶給劇團老師。(文化部提供)

改變「學戲曲的學生畢業沒出路,有經驗的團隊不敢收剛畢業學生入團」的不健康現象,傳藝中心過去兩年培養學生實戰經驗,今年進一步媒合14位戲曲新苗進入7個職業劇團實習1年,開啟健全台灣戲曲生態第一哩路。隨著時代演進,加上學習方式改變,傳統戲曲的發展日益式微,學戲曲的年輕人多數在畢業後轉行,於是在舞台上演出的演員年紀愈來愈大。

傳藝作媒 戲曲新苗入團實習 - 中時電子報

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傳藝作媒 戲曲新苗入團實習

2015年06月09日 04:10

中國時報
汪宜儒/台北報導

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傳藝中心媒合戲曲新苗與職業劇團,架接戲曲科班畢業生進入職業生涯的第一哩路。圖為8日記者會上,學生們奉茶給劇團老師。(文化部提供)

改變「學戲曲的學生畢業沒出路,有經驗的團隊不敢收剛畢業學生入團」的不健康現象,傳藝中心過去兩年培養學生實戰經驗,今年進一步媒合14位戲曲新苗進入7個職業劇團實習1年,開啟健全台灣戲曲生態第一哩路。隨著時代演進,加上學習方式改變,傳統戲曲的發展日益式微,學戲曲的年輕人多數在畢業後轉行,於是在舞台上演出的演員年紀愈來愈大。

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2012年,傳藝中心開始戲曲人才培育計畫,讓剛畢業的年輕演員與後場樂手接受專業師資特訓,再以10個月時間常駐傳藝中心定目演出,增強實戰經驗,終於成功在今年媒合了14位學生,分別進入蘭陽戲劇團、薪傳歌仔戲劇團、一心戲劇團、河洛歌子戲團、當代傳奇劇場、全西園與明興閣掌中劇團實習1年。對此,薪傳歌仔戲團團長廖瓊枝十分興奮,長期關注戲曲學生無處去、演員斷層問題的她笑說:「政府終於點一葩火了(台語)。」文化部部長洪孟啟表示,傳統藝術在當代得面臨許多壓力,政府有義務協助接軌,「以戲曲來說,科班出身的學生至少得歷經12年練功作科,這次我們從最前線的源頭下手,期待學生們在畢業後有機會立即投入就業市場。」不過,很多人擔心這樣的計畫若非常態,洪孟啟承諾政策一定會延續,「目前我們也將與國發會的新計畫合作,持續投入資源。未來,除了前場與後場的人才,包括專業箱管人才、劇場技術人員、藝術行政人才等也都將以相同模式持續培訓。」在傳藝中心園區之外,傳藝中心所屬國家劇團與樂團的實際演出任務、2016年起陸續落成的戲曲中心與高雄的豫劇藝術園區等地,都將是配合計畫的基地。,

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